{"product_id":"artreview-september-2026","title":"ArtReview September 2026 + Korea Supplement","description":"\u003cp class=\"MsoNormal\"\u003eIn the September issue of ArtReview, Adeline Chia looks at the work of the Indonesian collective \u003cstrong\u003eTaring Padi\u003c\/strong\u003e, who consider themselves activists first and artists second. Clive Chijioke Nwonka turns to \u003cstrong\u003ethe redevelopment of London’s Hackney Wick\u003c\/strong\u003e and considers the effects of enlisting cultural institutions in such endeavours. Alexandra Symons-Sutcliffe discusses Terminal Piece (1972), by \u003cstrong\u003eKate Millett\u003c\/strong\u003e, made in response to the highly publicised murder of an American teenage girl. Also in this issue, Martin Herbert observes that \u003cstrong\u003eJasper Johns\u003c\/strong\u003e’s paintings often hide more than they reveal; Nicole Kaack argues that \u003cstrong\u003eSophie Becker\u003c\/strong\u003e’s ventriloquism performances become a tool by which to question who’s really in charge; Zoë Hopkins addresses the rich history of \u003cstrong\u003eblack graphic scores\u003c\/strong\u003e to make the case that black musical culture has always also been a visual culture; and Emily McDermott asks the poet \u003cstrong\u003eAna María Caballero\u003c\/strong\u003e about what art is and what AI isn’t. Plus, reviews from around the world, including London, New York, Barcelona and Antananarivo, and reviews of books by \u003cstrong\u003eCatherine Liu\u003c\/strong\u003e, \u003cstrong\u003eCharlotte Higgins\u003c\/strong\u003e and \u003cstrong\u003eSimon Reynolds\u003c\/strong\u003e. Included with this issue is a free 56-page supplement exploring the contemporary art scenes of South Korea.\u003c\/p\u003e\n\u003cp\u003e\u003c!--split--\u003e \u003cbr\u003e\u003cstrong\u003eArt Observed\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Interview Ana María Caballero \u003cem\u003eby Emily McDermott\u003cbr\u003e\u003c\/em\u003eSight \u0026amp; Sound \u003cem\u003eby Zoë Hopkins\u003cbr\u003e\u003c\/em\u003eFitting In\u003cem\u003e by Jenny Wu\u003cbr\u003e\u003c\/em\u003eMaxxin \u0026amp; Relaxxin\u003cem\u003e by Michelle Santiago Córtes\u003cbr\u003e\u003c\/em\u003eDirty Work\u003cem\u003e by Jenny Wu\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"large\"\u003e\u003cstrong\u003eArt Featured\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTaring Padi \u003cem\u003eby Adeline Chia\u003c\/em\u003e\u003cbr\u003eRoots \u0026amp; Regeneration \u003cem\u003eby Clive Chijioke Nwonka\u003c\/em\u003e\u003cbr\u003eTerminal Piece \u003cem\u003eby Alexandra Symons-Sutcliffe\u003c\/em\u003e\u003cbr\u003eJasper Johns \u003cem\u003eby Martin Herbert\u003c\/em\u003e\u003cbr\u003eSophie Becker \u003cem\u003eby Nicole Kaack\u003c\/em\u003e\u003cbr\u003eThe Waning of the Middle Ages \u003cem\u003eby Johan Huizinga annotated by Mark Rappolt\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"large\"\u003e\u003cstrong\u003eArt Reviewed\u003cbr\u003e\u003cbr\u003eExhibitions\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGabriele Stötzer, by Katie Tobin \u003cbr\u003eManifesta 16 Ruhr, by Phoebe Blatton \u003cbr\u003eAnnette Messager, by Louise Darblay \u003cbr\u003e\u003cem\u003eMemory of a Free Festival\u003c\/em\u003e, by Declan Long \u003cbr\u003eÉric Baudelaire, by Martin Herbert \u003cbr\u003eAnna Moreno, by Caroline Elbaor \u003cbr\u003e\u003cem\u003eCall me gravity\u003c\/em\u003e, by Xenia Benivolski \u003cbr\u003eCandace Hill-Montgomery, by Lizzie Homersham \u003cbr\u003eTish Murtha \u0026amp; Kuba Ryniewicz, by Jonathan McAloon \u003cbr\u003eMary McIntyre \u0026amp; Robert Anderson, by John C. Vaughn \u003cbr\u003eKulpreet Singh, by Mia Stern \u003cbr\u003eGray Wielebinski, by Brendton Steele \u003cbr\u003eSim Chi Yin, by Jenny Wu \u003cbr\u003e\u003cem\u003eIt’s About Time\u003c\/em\u003e, by Pia Singh \u003cbr\u003e\u003cem\u003ePalomar\u003c\/em\u003e, by Teddy Sandler \u003cbr\u003ePap Souleye Fall, by Gee Wesley \u003cbr\u003eEllen Pau, by Marcus Civin \u003cbr\u003e\u003cem\u003eOn the Air\u003c\/em\u003e, by Joel Danilewitz \u003cbr\u003e\u003cem\u003eMachine Dreams: Rainforest\u003c\/em\u003e, by Claudia Ross \u003cbr\u003eCaguiat Delacruz, by Qingyuan Deng \u003cbr\u003eCarolina Caycedo, by Oliver Basciano \u003cbr\u003ePaulo Pedro Leal, by Mateus Nunes \u003cbr\u003ePierrot Men, by Gameli Hamelo\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"large\"\u003e\u003cstrong\u003eBooks\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003eTraumatized\u003c\/em\u003e, by Catherine Liu, reviewed by Jenny Wu \u003cbr\u003e\u003cem\u003eAlphabet Book\u003c\/em\u003e, by Ali Kazim, reviewed by Mark Rappolt \u003cbr\u003e\u003cem\u003eStill in a Dream\u003c\/em\u003e, by Simon Reynolds, reviewed by Declan Long \u003cbr\u003e\u003cem\u003eA Mask the Colour of the Sky\u003c\/em\u003e, by Basem Khandakji, reviewed by Mark Rappolt \u003cbr\u003eUkrainian Lessons, by Charlotte Higgins, reviewed by Agata Pyzik \u003cbr\u003e\u003cem\u003eThe Art of Opposition: On Hope, Resilience \u0026amp; Creative Expression\u003c\/em\u003e, by Courttia Newland, reviewed by Mark Rappolt\u003c\/p\u003e\n\u003cdiv title=\"Page 18\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan class=\"large\"\u003e\u003cstrong\u003eBackpage\u003cbr\u003e\u003c\/strong\u003eTRADING PLACES by Khalid Albaih\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"ArtReview","offers":[{"title":"Default Title","offer_id":58588118974838,"sku":"AR-SEPTEMBER-2026","price":8.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/1833\/files\/ArtReview-Magazine-September-2026wKAMS.jpg?v=1788353857","url":"https:\/\/shop.artreview.com\/products\/artreview-september-2026","provider":"ArtReview Shop","version":"1.0","type":"link"}