{"product_id":"artreview-summer-2026","title":"ArtReview Summer 2026","description":"\u003cp class=\"MsoNormal\"\u003eThe Summer issue of \u003ci\u003eArtReview\u003c\/i\u003e looks at our relationship with places – not as political entities, but as geographies and terrains. How do landscapes influence the lives of those who live in their midst? Cover artist Uzbek filmmaker \u003cb\u003eSaodat Ismailova\u003c\/b\u003e has consistently turned her lens towards the cultures, ecology and suppressed histories of Central Asia – a region profoundly reshaped by Soviet industrialisation; her work, writes\u003cb\u003e \u003c\/b\u003eFi Churchman, highlights ‘the gap between what once existed and what remains.’ Stephanie Bailey speaks to \u003cb\u003eShuruq Harb\u003c\/b\u003e, who also makes moving images, about Palestinian history and storytelling beyond politics. Chiara Wilkinson considers \u003cb\u003eAna María Devis\u003c\/b\u003e’s forensic studies of domestic space, in which decay is treated as a generative material. Jenny Wu revisits \u003cb\u003eMarcel Duchamp\u003c\/b\u003e through questions of place and encounter, while Martin Herbert turns to another of the twentieth-century’s big hitters, \u003cb\u003eFrancis Picabia\u003c\/b\u003e, whose work continually showcased an evolution of styles and mediums. Elsewhere, Clive Chijioke Nwonka looks at \u003cb\u003eArsenal\u003c\/b\u003e’s title-winning images; Jenny Wu goes several rounds with the Philadelphian legacy of movie character \u003cb\u003e\u003ci\u003eRocky\u003c\/i\u003e\u003c\/b\u003e; Jamie Sutcliffe reviews a newly translated \u003cb\u003escience-fiction comic\u003c\/b\u003e; Mariacarla Molè reports from \u003cb\u003ePalermo\u003c\/b\u003e; Helen Charman reflects on \u003cb\u003eOlga Tokarczuk\u003c\/b\u003e and AI; and Jessica Lanay interviews poet \u003cb\u003eNicholas Goodly\u003c\/b\u003e. Plus reviews from around the world including Copenhagen, Berlin, London, Rotterdam, New York and Lima, as well as reviews of books by \u003cb\u003eByung-Chul Han\u003c\/b\u003e, \u003cb\u003eDaisy Dixon\u003c\/b\u003e, \u003cb\u003eAmelia Abraham\u003c\/b\u003e, \u003cb\u003eIrénée Scalbert\u003c\/b\u003e, \u003cb\u003eLawrence Weiner\u003c\/b\u003e and \u003cb\u003eCal Flyn\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003c!--split--\u003e \u003cbr\u003e\u003cstrong\u003eArt Observed\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003cspan class=\"large\"\u003eThe Interview \u003c\/span\u003eNicholas Goodly \u003cspan class=\"large\"\u003e\u003cem\u003eby Jessica Lanay\u003cbr\u003e\u003c\/em\u003e\u003c\/span\u003eHighs and Lows \u003ci\u003eby Jenny Wu\u003cbr\u003e\u003c\/i\u003e\u003cspan class=\"large\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003eAliens and Allegoria \u003cspan class=\"large\"\u003e\u003cem\u003eby Jamie Sutcliffe\u003c\/em\u003e\u003c\/span\u003e\u003ci\u003e\u003cbr\u003e\u003c\/i\u003ePalermo, the Orphan City \u003cem\u003eby \u003c\/em\u003e\u003ci\u003eMariacarla Molè\u003cbr\u003e\u003c\/i\u003e\u003cem\u003e\u003c\/em\u003eTools \u003cem\u003eby Helen Charman\u003c\/em\u003e\u003cbr\u003eFotball Lessons \u003cem\u003eby \u003c\/em\u003e\u003ci\u003eClive Chijioke Nwonka\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"large\"\u003e\u003cstrong\u003eArt Featured\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSaodat Ismailova\u003ci\u003e \u003c\/i\u003e\u003ci\u003eby Fi Churchman\u003cbr\u003e\u003c\/i\u003eShuruq Harb \u003ci\u003eby Stephanie Bailey\u003cbr\u003e\u003c\/i\u003eAna María Devis\u003ci\u003e \u003c\/i\u003e\u003ci\u003eby Chiara Wilkinson\u003cbr\u003e\u003c\/i\u003eBeverly Buchanan \u003cem\u003eby Chris Fite-Wassilak\u003cbr\u003e\u003c\/em\u003eMarcel Duchamp\u003ci\u003e \u003c\/i\u003e\u003ci\u003eby Jenny Wu\u003cbr\u003e\u003c\/i\u003eFrancis Picabia\u003ci\u003e \u003c\/i\u003e\u003ci\u003eby Martin Herbert\u003cbr\u003e\u003c\/i\u003eAgainst Venice\u003ci\u003e \u003c\/i\u003e\u003ci\u003eby Régis Debray \u003c\/i\u003e\u003ci\u003eannotated by Chris Fite-Wassilak \u003c\/i\u003e\u003ci\u003eand J.J. Charlesworth\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"large\"\u003e\u003cstrong\u003eArt Reviewed\u003cbr\u003e\u003cbr\u003eExhibitions\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHurvin Anderson, by Marcus Verhagen\u003cbr\u003eJosiane M.H. Pozi, by Simon Wu\u003cbr\u003eMarina Abramovi\u003cspan class=\"s1\"\u003ec\u003c\/span\u003e, by Alice Godwin\u003cbr\u003eCarnegie International, by Jenny Wu\u003cbr\u003eLynette Yiadom-Boakye, by Marcus Civin\u003cbr\u003eAudrey Reynolds, by Digby Warde-Aldam\u003cbr\u003e\u003cem\u003eSpeaking in Tongues\u003c\/em\u003e, by Claudia Ross\u003cbr\u003eKeira Fox with Louis Backhouse and Vindicatrix, by Ethan Price\u003cbr\u003eRacheal Crowther, by Sonja Teszler\u003cbr\u003eLina Lapelyte, by Emily May\u003cbr\u003ePatricio Morocho, Gaby Cepeda\u003cbr\u003eKatrina Palmer, by Lizzie Homersham\u003cbr\u003e\u003cem\u003eExtraction\u003c\/em\u003e, by Gabriel Levine Brislin\u003cbr\u003eRoman Khimei and Yarema Malashchuk, by Agnish Ray\u003cbr\u003eRose Wylie, by J.J. Charlesworth\u003cbr\u003eOototol, by Qingyuan Deng\u003cbr\u003e\u003cem\u003eDisobedience Archive (Canopy for Broken Time)\u003c\/em\u003e, by Asya Yaghmurian\u003cbr\u003e\u003cem\u003eIn-\/Visible Spectrums\u003c\/em\u003e, by Alexander Leissle\u003cbr\u003e\u003cem\u003eGenuine Fake Premium Economy\u003c\/em\u003e, by Lydia Eliza Trail\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"large\"\u003e\u003cstrong\u003eBooks\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003eThe Tonality of Thought\u003c\/em\u003e, by Byung-Chul Han, reviewed by Mark Rappolt\u003cbr\u003e\u003cem\u003eDepraved: The Story of Dangerous Art\u003c\/em\u003e, by Daisy Dixon, reviewed by J.J. Charlesworth\u003cbr\u003e\u003cem\u003eSex, Clubs, Dissent: Visualising Queer Nightlife\u003c\/em\u003e, by Amelia Abraham, reviewed by Bex Wade\u003cbr\u003e\u003cem\u003eTotems: Selected Essays on Architecture\u003c\/em\u003e, by Irénée Scalbert, reviewed by David Terrien\u003cbr\u003e\u003cem\u003eTerminal Boundaries\u003c\/em\u003e, by Lawrence Weiner, reviewed by Fi Churchman\u003cbr\u003e\u003cem\u003eThe Savage Landscape: How We Made the Wilderness\u003c\/em\u003e, by Cal Flyn, reviewed by Oliver Basciano\u003c\/p\u003e\n\u003cdiv title=\"Page 18\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan class=\"large\"\u003e\u003cstrong\u003eBackpage\u003cbr\u003e\u003c\/strong\u003eOUTSIDER\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"ArtReview","offers":[{"title":"Default Title","offer_id":58060208669046,"sku":"AR-SUMMER-2026","price":8.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/1833\/files\/ArtReview-Magazine-Summer-2026.jpg?v=1781090048","url":"https:\/\/shop.artreview.com\/products\/artreview-summer-2026","provider":"ArtReview Shop","version":"1.0","type":"link"}