{"product_id":"artreviewmarch-2026","title":"ArtReview March 2026","description":"\u003cp class=\"p1\"\u003eIn the March issue of \u003ci\u003eArtReview\u003c\/i\u003e, critics, curators and museum directors respond to the premise that museums are in crisis, offering both diagnoses and treatments. Alistair Hudson argues for a radical overhaul, Daisy Nam thinks museums must be situated within their immediate communities, Eugenio Viola states that museums exist in order to be contested spaces. Sarah Jilani makes the case that long-term loans are by nature unethical. Mariacarla Molè reports from CIMAM’s annual gathering of global museum professionals. Jonathan T.D. Neil wonders if museums have a future in Trump’s America. Sharmini Pereira considers the possibility that the only museums that matter are the ones that unsettle and create friction. And farid rakun of ruangrupa believes that museums must ‘drop their names, even mandates’ to escape their fate as collaborators in turning artmaking into a rat race. Also in this issue, Fi Churchman speaks to \u003cstrong\u003eTracey Emin\u003c\/strong\u003e about love; Mateus Nunes discusses \u003cstrong\u003eGê Viana’s\u003c\/strong\u003e work; Kristian Vistrup Madsen considers \u003cstrong\u003eJohn Skoog\u003c\/strong\u003e and apocalyptic endings; Clive Chijioke Nwonka writes on the productive deployment of opacity. In ‘Eternal Returns’, J.J. Charlesworth revisits a museum for disfavoured statues. Plus a new artist project by\u003cstrong\u003e \u003c\/strong\u003eLyndon Barrois Jr. Reviews of exhibitions from around the world include Pierre Huyghe in Berlin, Robert Rauschenberg in Houston and Anne Hardy in Carlow; alongside reviews of books by John Morgan, Megha Majumdar and Isabel Waidner. \u003c\/p\u003e\n\u003cp\u003e\u003c!--split--\u003e \u003cbr\u003e\u003cstrong\u003eArt Observed\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003cspan class=\"large\"\u003eThe Interview Tracey Emin\u003cem\u003e by Fi Churchman \u003cbr\u003e\u003c\/em\u003eTogether Forever \u003c\/span\u003e\u003ci\u003eby Mariacarla Molè\u003cbr\u003e\u003c\/i\u003e\u003cspan class=\"large\"\u003e\u003cem\u003e\u003c\/em\u003eNow You See Me\u003cem\u003e by \u003c\/em\u003e\u003c\/span\u003e\u003ci\u003eClive Chijioke Nwonka\u003c\/i\u003e\u003cspan class=\"large\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"large\"\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cbr\u003eArt Featured\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003eJohn Skoog\u003ci\u003e \u003c\/i\u003e\u003ci\u003eby Kristian Vistrup Madsen\u003cbr\u003e\u003c\/i\u003eExtinction Event\u003ci\u003e \u003c\/i\u003e\u003ci\u003eby Jonathan T.D. Neil\u003cbr\u003e\u003c\/i\u003eHow to Do Things with Museums\u003ci\u003e \u003c\/i\u003e\u003ci\u003eby Alistair Hudson\u003cbr\u003e\u003c\/i\u003eThe Museum in Crisis \u003ci\u003eSharmini Pereira, \u003c\/i\u003e\u003ci\u003eDaisy Nam, \u003c\/i\u003e\u003ci\u003eEugenio Viola \u003c\/i\u003e\u003ci\u003eruangrupa\u003cbr\u003e\u003c\/i\u003eThe Digital Museum\u003ci\u003e \u003c\/i\u003e\u003ci\u003eRefik Anadol, \u003c\/i\u003e\u003ci\u003eCharlotte Kent\u003cbr\u003e\u003c\/i\u003eThe Polite Art of Lending Loot \u003ci\u003eby Sarah Jilani\u003cbr\u003e\u003c\/i\u003eGê Viana\u003ci\u003e \u003c\/i\u003e\u003ci\u003eby Mateus Nunes\u003cbr\u003e\u003c\/i\u003eThe Museum as Asylum\u003ci\u003e \u003c\/i\u003e\u003ci\u003eby Alexandre Lenoir \u003c\/i\u003e\u003ci\u003etranslated and annotated by J.J. Charlesworth\u003cbr\u003e\u003c\/i\u003eSecond-Story Artifacts\u003ci\u003e \u003c\/i\u003e\u003ci\u003eArtist project by Lyndon Barrois Jr\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"large\"\u003e\u003cstrong\u003e\u003cbr\u003eArt Reviewed\u003cbr\u003e\u003cbr\u003eExhibitions\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePierre Huyghe, by Martin Herbert\u003cbr\u003eMoyra Davey, by Hannah Gregory\u003cbr\u003eRobert Rauschenberg, by Jenny Wu\u003cbr\u003eElizabeth Englander, by Ethan Price\u003cbr\u003eMichael Fullerton, by Gabriel Levine Brislin\u003cbr\u003eTheresa Hak Kyung Cha, by Qingyuan Deng\u003cbr\u003eCraig Jun Li, by Jeremy Gloster\u003cbr\u003eGolnar Adili, by Louis Bury\u003cbr\u003eAnne Hardy, by Declan Long\u003cbr\u003ePaul Dash, by Sabo Kpade\u003cbr\u003eClémence de La Tour du Pin, by Cecilia Bien\u003cbr\u003eNat Faulkner, by Alexander Harding\u003cbr\u003e\u003cem\u003eDaddy Issues\u003c\/em\u003e, by Alice Godwin\u003cbr\u003ePhillip Lai, by J.J. Charlesworth\u003cbr\u003eMichael Clark and Jules Cunningham, by Eddy Gibb\u003cbr\u003eR. Crumb, by Lydia Eliza Trail\u003cbr\u003eJan Vorisek, by Mia Stern\u003cbr\u003eMunch Triennale, by Alexander Leissle\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"large\"\u003e\u003cstrong\u003eBooks\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eA Dirty History of Photography: Chemistry, Fog, and Empire\u003c\/i\u003e, by Michelle Henning, reviewed by Yuwen Jiang\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\u003ci\u003eBaskerville’s Teardrop Explodes\u003c\/i\u003e, by John Morgan, reviewed by Mark Rappolt\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\u003ci\u003eA Guardian and a Thief\u003c\/i\u003e, by Megha Majumdar, reviewed by Mark Rappolt\u003cbr\u003eAs If, by Isabel Waidner, reviewed by Chiara Wilkinson\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\u003ci\u003eArt Cure: The Science of How the Arts Transform Our Health\u003c\/i\u003e, by Daisy Fancourt, reviewed by J.J. Charlesworth\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\u003ci\u003eLuigi Ghirri: Felicità\u003c\/i\u003e, by Alessio Bolzoni and Luca Guadagnino, reviewed by David Terrien\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 18\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan class=\"large\"\u003e\u003cstrong\u003eBackpage\u003cbr\u003e\u003c\/strong\u003eHoarder\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"ArtReview","offers":[{"title":"Default Title","offer_id":57403808874870,"sku":"AR-MAR-2026","price":8.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/1833\/files\/ArtReview-Magazine-March-2026.jpg?v=1772646776","url":"https:\/\/shop.artreview.com\/products\/artreviewmarch-2026","provider":"ArtReview Shop","version":"1.0","type":"link"}