ArtReview March 2020

Art Previewed
Breakfast with… Roee Rosen
A Tale of Two Neighbours, by Clarissa Oon
Meanwhile, in Chelsea, by Christian Viveros-Fauné
The Kids Are Alright, by Erika Balsom
The Sound of the Apocalypse, by Patrick Langley
The Interview: Huma Bhabha, by Ross Simonini
Coming Up: Ten shows to see this month, by Martin Herbert

Art Featured
Roee Rosen, by Ben Eastham
Anna Witt, by Mark Rappolt
My Fake Woke Confession, by Wong Ping
Pedro Neves Marques, by João Mourão and Luís Silva

Art Reviewed
Sharjah Architecture Biennial, by Mark Rappolt
Phantom Plane, by Ben Eastham
Antony Gormley, by Sam Korman
Cameron Rowland, by Chris Fite-Wassilak
Stan Douglas, by Nina Power
Larry Achiampong, by J.J. Charlesworth
Donna Huddleston, by Kathryn Lloyd
Marine Hugonnier, by Susannah Thompson
William N. Copley, by Martin Herbert
Derek Jarman, by Ben Eastham
Jannis Marwitz, by Moritz Scheper
Alain Bizos, by John Quin
Miriam Cahn, by Phoebe Blatton
Eva Kot’átková, by Rodney LaTourelle
Gabriel Kuri, by Pádraic E. Moore
Karen Russo, by Keren Goldberg
Luca Vitone, by Barbara Casavecchia
Naama Tsabar, by Jonathan Griffin
Sick Time, Sleepy Time, Crip Time, by Rahel Aima
Tschabalala Self, by Megan N. Liberty
Vaivém, by Oliver Basciano
Chantal Peñalosa, by Gaby Cepeda
Richard Nonas, by Max Feldman
12th Bamako Encounters, by Kimberly Bradley

Books
An Apartment on Uranus, by Paul B. Preciado, reviewed by Kevin Brazil
Franz Parts Schule, by Franz Part, reviewed by Ben Street
The Emperor of China’s Ice, by Jun Yang, reviewed by Mark Rappolt
In Print: a roundup of new releases, reviewed by J.J. Charlesworth

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