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ArtReview October 2015

ArtReview October 2015

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What's inside the issue?

Art Previewed
Previews by Martin Herbert
Points of View by Jonathan T.D. Neil, Maria Lind, Sam Jacob, Jonathan Grossmalerman, Laura Oldfield Ford
Athena on painters apologising, Interview by Matthew Collings

Art Featured
Philippe Parreno by Tom Eccles
Omer Fast by Helen Sumpter
Mapping Totality by Nick Srnicek
Abbas Akhavan by Oliver Basciano
Frank Auerbach by Mark Prince
Artist Project by Samuel Levack and Jennifer Lewandowski

Art Reviewed
FOMO, by Natasha Marie Llorens
Aldo Mondino, by Mark Prince
Bill Lynch, by Raimar Stange
Ametria, by Stephanie Bailey
Aleksandra Domanović, by Gesine Borcherdt
Fiamma Montezemolo, by Mike Watson
Lofoten International Art Festival, by Oliver Basciano
Under the Clouds, by Orit Gat
Here We LTTR, by Stefanie Hessler
Variations on ‘An Andalusian Dog’, by Sarah Jilani
Europe: The Future of History, by Aoife Rosenmeyer
Jennet Thomas, by Laura Robertson
No Shadows in Hell, by Robert Barry
Parallel Oaxaca, by Chris Fite-Wassilak
e-studio Luanda, by Gabriel Coxhead
Magali Reus, by Helen Sumpter
Beatrice Gibson, by James Clegg
Tony Lewis, by Stephanie Cristello
Drew Heitzler, by Ed Schad
Madison East & Quintessa Matranga, by Dean Kissick
Eirik Sæther, by David Everitt Howe
Nikolay Bakharev, by Siona Wilson
Yoko Ono, by Joshua Mack
JJ PEET, by Iona Whittaker
Objects Food Rooms, by Bill Clarke
Stewart Uoo, by Claire Rigby
Portia Zvavahera, by Matthew Blackman
Dor Guez, by Keren Goldberg

Fuck Seth Price, by Seth Price
The Miracle of Analogy, by Kaja Silverman
Looking at Pictures, by Robert Walser
The Wapping Project on Paper, by Helen Sumpter

The Strip

Off the Record

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