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ArtReview October 2016

ArtReview October 2016

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What's inside the issue?

Art Previewed
Previews by Martin Herbert
Points of View by J.J. Charlesworth, Daniel McClean, Heather Phillipson, Jonathan Grossmalerman
David Bowie on his art collection, interview by Matthew Collings
Maria Lind, interview by Mark Rappolt

Art Featured
Siobhán Hapaska, by Helen Sumpter
Wael Shawky, by Mark Rappolt
Robert Longo, by Jonathan T.D. Neil
Shadi Habib Allah, by Oliver Basciano
Chiang Mai, by Adeline Chia
Samuel Levack and Jennifer Lewandowski

Art Reviewed
Mamma Andersson & Tal R, by Oliver Basciano
Mario García Torres, by Kimberly Bradley
Luc Tuymans, by Sam Steverlynck
Mika Rottenberg, by Violaine Boutet de Monvel
Great Animal Orchestra, by Orit Gat
Thomas Struth, by Mark Prince
Ryan Gander, by Louisa Elderton
A World Not Ours, by Louise Darblay
Che il vero possa confutare il falso (That the True Might Refute the False), by Mike Watson
Nástio Mosquito, by Mike Watson
Daniel Gordon, by Aoife Rosenmeyer
Wolfgang Tillmans, by Dan Udy
Joseph Grigely, by Chris Fite-Wassilak
Hiraki Sawa, by Dean Kissick
Mona Hatoum, by Gabriel Coxhead
Armen Eloyan, by Helen Sumpter
Richard Demarco and Joseph Beuys, by Susannah Thompson
Theaster Gates, by Bill Clarke
Kenneth Tam, by Ciara Moloney
Peter Alexander, by Larry Wilcox
Alex Da Corte, by Andrew Berardini
The Propeller Group, by Sara Cluggish
Alma Thomas, by Joshua Mack
Leslie Thornton, by Wendy Vogel
Vivian Suter & Elisabeth Wild, by Laura A.L. Wellen
Beyond Lawn and Order, by Kim Córdova
ALMA: Acervo Gentil, by Claire Rigby
Apichatpong Weerasethakul, by Adeline Chia

Known and Strange Things, by Teju Cole
Publication, by David Lamelas
How to See: Looking, Talking, and Thinking About Art, by David Salle
Gay Semiotics: A Photographic Study of Visual Coding Among Homosexual Men, by Hal Fischer

The Strip

A Curator Writes

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