ArtReview Asia Spring 2026
ArtReview Asia Spring 2026
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In the Spring issue of ArtReview Asia, Travis Jeppesen profiles Li Yi-Fan ahead of the Venice Biennale, where Li will be presenting Taiwan’s collateral event, a project set to focus on AI and sure to feature the weaponised humour on view in the artist’s freewheeling, free-associative videos and performance lectures, which all seem to start from the position that ‘the machine is not our friend’. Max Crosbie-Jones reports from Bangkok, currently experiencing one of its regular waves of art-scene exuberance, and asks how well founded the excitement is. Anandi Mishra, recently relocated from Delhi to Gothenburg, Sweden, writes on the unexpected challenges and pleasures of being a reader in each of these cities. Adeline Chia explores Taiwan’s cultural ecology under the influence of a string of ambitious museum developments, including the Taichung Green Museumbrary complex. Artist Abdul Halik Azeez presents a project addressing some of the less visible forces behind development in Colombo’s Galle Face. Yuwen Jiang visits an exhibition in London featuring an eighteenth-century botany project that lays bare the complicated roots of colonialism. And Mark Rappolt annotates The Travels of Ibn Battuta, the latest entry in the magazine’s ‘Eternal Returns’ series. Plus exhibition and book reviews, and the word ‘justice’ – defined.
What's inside the issue?
What's inside the issue?
Art Previewed
Together Forever by Mariacarla Molè
Bookish by Anandi Mishra
New Typologies by Adeline Chia
Loan Sharks by Sarah Jilani
Art Featured
Li Yi-Fan by Travis Jeppesen
On the Spot in Bangkok by Max Crosbie-Jones
Galle Facing Artist project by Abdul Halik Azeez
The Travels of Ibn Battuta by Samuel Lee annotated by Mark Rappolt
Flower Power by Yuwen Jiang
Art Reviewed
Exhibitions & Books
Biennale Jogja, by Adeline Chia
Singapore Biennale, by Mark Rappolt
Sasaoka Yuriko, by Ophelia Lai
Yang Fudong, by Yuwen Jiang
Chobi Mela, by Parsa Sanjana Sajid
Thailand Biennale, by Max Crosbie-Jones
Guangzhou Image Triennial, by Yuwen Jiang
(In)visible Presence, by Max Crosbie-Jones
Chang-Ching Su and Rhett Tsai, by Yue Ren
Diriyah Biennale, by Rahel Aima
Kochi-Muziris Biennale, by Kai Jabir Friese
Taipei Biennial, by Mark Rappolt
Ripples in the Pond, by Bharat Sikka, reviewed by Upasana Das
Baskerville’s Teardrop Explodes: A Selection of Books as Muses, by John Morgan, reviewed by Mark Rappolt
Why Are We in Okinawa? A History of Violence, by Jon Mitchell, reviewed by Max Crosbie-Jones
The Renovation, by Kenan Orhan, reviewed by Mark Rappolt
Hooked, by Asako Yuzuki, translated by Polly Barton, reviewed by Chris Fite-Wassilak
Patchwork Dolls, by Ysabelle Cheung, reviewed by Fi Churchman
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