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ArtReview October 2024

ArtReview October 2024

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In the October issue of ArtReview, Holly Herndon and Mat Dryhurst explore the increasingly discounted possibility that artificial intelligence could remain a junior partner in an essentially humanist project, setting loose what they refer to as humanity’s newest ‘coordinating system’ in one of its oldest: the choir. Gelare Khoshgozaran considers what it is about fellow Iranian artist Maryam Tafakory’s moving image works, spliced from snippets of existing postrevolutionary films, that makes them so paralysing. Two ArtReview editors abridge and annotate a ‘classic’ text: E.H. Gombrich’s ‘Norm and Form’. While another editor looks at Mike Kelley’s touring retrospective and sees attempts at making the late American into an artist for all seasons. Plus an interview with Josh Kline, the story of the newly reopened Warburg Institute in London, a column about a documentary photo project that recreates episodes from the Mau Mau rebellion, international exhibition and book reviews, and a nod and a wink to an august publication’s 75th birthday.


What's inside the issue?

 

Art Observed
The Interview - Josh Kline by Jenny Wu
Robin Hood for Artists by J.J. Charlesworth
Stripteaser by Mark Rappolt
State of Emergency by Zoé Samudzi
Hard to Stomach by Suraj Yengde

Art Featured
Holly Herndon & Mat Dryhurst by Chris Fite-Wassilak
Aby Warburg by Matthew Bowman
Norm and Form by E.H. Gombrich; abridged and annotated by J.J. Charlesworth and Mark Rappolt
Maryam Tafakory by Gelare Khoshgozaran
Mike Kelley by Martin Herbert

Art Reviewed
Melvin Edwards, by Martin Herbert
Steph Huang, by Cindy Ziyun Huang
Mark Armijo McKnight, by Jacinda Tran
Javier Téllez, by Qingyuan Deng
Joanna Piotrowska, by Chris Murtha
Troika, by Hana Ostan-Ožbolt-Haas
Ulla von Brandenburg, by Declan Long
Nina Canell, by Nate Budzinski
A String of Tongueless Bells, by Mira Dayal
Hetain Patel, by Madeleine Jacob
Cisco Merel, by Oliver Basciano
Ed Clark, by John-Baptiste Oduor
Nick Goss, by Digby Warde-Aldam
Firelei Báez, by Leela Keshav
Eric Wesley, by Gracie Hadland
Ella Walker, by Tom Morton
Home: Ukrainian Photography, UK Words, by Lisette May Monroe
A Gathering of Tomorrow, by Adeline Chia
Permindar Kaur, by Mark Rappolt
Gary Hume, by J.J. Charlesworth

Books
Roberto Juarez ’80s East Village Large Works On Paper + Downtown Amigos y Amigas, edited by Fabio Cherstich, reviewed by Mariacarla Molè
The Coin, by Yasmin Zaher, reviewed by Nirmala Devi
Poor Artists, by Zarina Muhammad and Gabrielle de la Puente, reviewed by Rosanna McLaughlin
The Proposal, by Bae Myung-hoon, reviewed by Yuwen Jiang
Iconophages: A History of Ingesting Images, by Jérémie Koering, reviewed by Brian Dillon
Glenn Ligon: Distinguishing Piss from Rain; Writings and Interviews, edited by James Hoff, reviewed by Allie Biswas

The Naked Truth

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