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ArtReview January & February 2018 - Future Greats

ArtReview January & February 2018 - Future Greats

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What's inside the issue?

Art Previewed
Previews, by Martin Herbert
Under the Paving Stones: Warsaw, by Phoebe Blatton
Brian Belott, interview by Ross Simonini

Art Featured

Future Greats 2018
Terreyro Coreográfico, selected by Bernardo Mosqueira
Khalil El Ghrib, selected by Reem Fadda
Turiya Magadlela, selected by Sue Williamson
biriken, selected by Nil Yalter
Amitai Romm, selected by Chris Fite-Wassilak
Matthew Angelo Harrison, selected by Cécile B. Evans
Dineo Seshee Bopape, selected by Osei Bonsu
Giulia Bruno, selected by Mark Rappolt
Chen Zhou, selected by Venus Lau
Protesters, 2017, selected by Jeremy Deller
Kang Jungsuck, selected by Kim Sunjung

New Frontiers: Notes on Borders, by Laura Grace Ford, Eva Grubinger, David Horvitz, Peter Liversidge, Sudarshan Shetty, Hank Willis Thomas
Art Reviewed
Poor Art / Arte Povera: Italian Influences, British Responses and Gino de Dominicis, by Ben Eastham
Abstract Hungary, by Mark Rappolt
Folklore: A Controversy with Works from the Collections, by Martin Herbert
Ali Kazma, by Aoife Rosenmeyer
Preis der Nationalgalerie 2017, by Raimar Stange
The Yellow Wallpaper, by Moritz Scheper
Beth Laurin, by Stefanie Hessler
Pressure / Imprint, by Kristian Vistrup Madsen
Carola Bonfili, by Mike Watson
Raša Todosijević, by Chris Fite-Wassilak
Julian Rosefeldt’s Manifesto, by David Terrien
Luciano Fabro, by Gabriel Coxhead
Kati Heck, by J.J. Charlesworth
Ad Minoliti, Aleksandra Domanović, Dis, Lynn Hershman Leeson, Vikky Alexander, Wang Newone, by Matthew McLean
Simone Fattal, by Isabella Smith
Puppies Puppies, by Jonathan Griffin
Laura Owens, by Cat Kron
Lewis Stein, by Jeppe Ugelvig
Gerard Byrne, by Wendy Vogel
Prospect.4, by Sam Korman
The New Poverty, by Stephen Armstrong, reviewed by Mark Rappolt
Out of Nothing, by Daniel Locke with David Blandy, reviewed by Chris Fite-Wassilak
ARTIST / WORK / LISSON, edited by Ossian, reviewed by Helen Sumpter
Ward Are We Human? Notes on an Archaeology of Design, by Beatriz Colomina and Mark Wigley, reviewed by Louise Darblay
The Strip: A new work by Joe Kessler
A Curator Writes

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