ArtReview April 2016

Art Previewed
Previews, by Martin Herbert
Points of View, by Jonathan T.D. Neil, Maria Lind, Marie Darrieussecq, Mike Watson, Jonathan Grossmalerman, J. J. Charlesworth
Anthony Trollope on the art collections of billionaires, Interview by Matthew Collings

Art Featured
Eva Koťátková, by Mark Rappolt
How to act: art and activism in the Czech Republic,  by Tomáš Pospiszyl
Thomas Bayrle, by Martin Herbert
Runo Lagomarsino, by Oliver Basciano
Artist Project, by Samuel Levack and Jennifer Lewandowski

Art Reviewed
Electronic Superhighway (2016–1966), by Helen Sumpter
Steve McQueen, by Christopher Mooney
Rolf Julius, by Robert Barry
Tobias Madison, by Raimar Stange
Panos Papadopoulos, by Michelangelo Corsaro
Erik van Lieshout, by Dominic van den Boogerd
Margrét H. Blöndal, by Markús Þór Andrésson
Judith Hopf, by Barbara Casavecchia
Alicja Kwade, by John Quin
Pipilotti Rist, by Aoife Rosenmeyer
Michael Simpson, by David Trigg
Katrina Palmer, by Susannah Thompson
Michael Joo, by Mark Prince
Naufus Ramírez-Figueroa, by Kiki Mazzucchelli
Stan Douglas, by Chris Fite-Wassilak
Things Fall Apart, by Lara Pawson
SOS, by Lauren Dyer Amazeen
Matthew Lutz-Kinoy, by Andrew Berardini
Margo Wolowiec, by Jonathan T.D. Neil
Bea Fremderman, by Stephanie Cristello
Erin Shirreff, by Bill Clarke
Photo-Poetics, by Siona Wilson
Laura Poitras, by Dan Udy
David Adamo, by Jonathan T.D. Neil
Amy Sillman, by Laura McLean-Ferris
Sandra Cinto, by Claire Rigby
Marrakech Biennale 6, by Oliver Basciano

Books
Adjusted Margin: Xerography, Art and Activism in the Late Twentieth Century, by Kate Eichhorn, reviewed by Robert Barry
The Kindred of the Kibbo Kift: Intellectual Barbarians, by Annebella Pollen, reviewed by Oliver Basciano
Industry and Intelligence, by Liam Gillick, reviewed by Jonathan T.D. Neil
Drinks, by Dike Blair, reviewed by Mark Rappolt

The Strip

A Curator Writes

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