ArtReview December 2014

Art Previewed
Previews by Martin Herbert
Points of View by J. J. Charlesworth, Maria Lind, Mike Watson, Mark Sladen, Sam Jacob, Andrew Berardini, Jonathan T.D. Neil & Oliver Basciano
Merlin the wizard on zombie abstraction, Interview by Matthew Collings
Annabelle Selldorf, Interview by Tom Eccles
Dimitris Daskalopoulos, Interview by Mark Rappolt
The Law and Its Ideas by Daniel McClean

Art Featured
The New by Michael North
Olafur Eliasson by Martin Herbert
Rebecca Horn by Gesine Borcherdt
Yang Fudong by Aimee Lin
Beautiful Evidence, Pretty Lies by Hettie Judah
Africa: Art in Context by Marie Darrieussecq

Art Reviewed
Exhibitions
David Hammons, by Pavel S. Pyś
Steve McQueen, by Dan Udy
Michele Abeles, by Sean Ashton
Jon Thompson, by J.J. Charlesworth
Gerhard Richter, by Brian Dillon
Jonathan Baldock, by Helen Sumpter
Pierre Huyghe, by Chris Fite-Wassilak
The Mechanical Garden and Other Long Encores, by Louise Darblay
Josh Faught, by Susannah Thompson
Cory Arcangel, by Orit Gat
Strauss Bourque-LaFrance, by David Everitt Howe
Justine Kurland, by Siona Wilson
Harun Farocki, by Brienne Walsh
Geta Brătescu, by Joseph Akel
Edgar Arceneaux, by Ed Schad
Cayetano Ferrer, by Jonathan Griffin
Lisa Anne Auerbach, by Andrew Berardini
Glenn Kaino, by Christian Viveros-Fauné
This is the Time. This is the Record of the Time, by Sam Steverlynck
Ryan Trecartin, by Karen Archey
Iulia Nistor, by Olga Stefan
David Lamelas, by Aoife Rosenmeyer
There Is No Place Like Home, by Mike Watson
Elmgreen & Dragset, by Roos van der Lint
Christian Falsnaes, by Raimar Stange
Agnieszka Brzeżańska, by Barbara Piwowarska
Anna Gaskell & Douglas Gordon, by Christopher Mooney
Susie Wong, by Sherman Sam
31st Bienal de São Paulo, by Oliver Basciano

Books
Memory Theatre, by Simon Critchley
Curationism, by David Balzer
The George Kuchar Reader, edited by Andrew Lampert
Loose Monk, by Fabian Peake

The Strip

Off the Record

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