ArtReview December 2016

Art Previewed
Previews, by Martin Herbert
Points of View, by J.J. Charlesworth, Jonathan T.D. Neil, Maria Lind, Heather Phillipson, Jonathan Grossmalerman
Alois Riegl on Jeff Koons, interview by Matthew Collings

Art Featured
Body and the City, by Silas Martí
Wlademir Dias-Pino, by Fernanda Brenner
Anthea Hamilton, by Helen Sumpter
Birdhead, by Aimee Lin
Artist project, by Jiří Černický

Art Reviewed
Tadasu Takamine, by Nirmala Devi
curated by_vienna, by Edward Sanderson
Thea Djordjadze, by Kimberley Bradley
Tino Sehgal, by Robert Barry
Sean Landers, by Mark Prince
Kishio Suga, by Barbara Casavecchia
Wiktor Gutt and Waldemar Raniszewski, by Phoebe Blatton
Lewis Klahr, by Aoife Rosenmeyer
Michael Williams, by John Quin
Pio Abad, by Naomi Pearce
Infinite Mix, by Robert Barry
Uri Aran, by Sean Ashton
Cindy Sherman and David Salle, by Ben Street
Allison Katz, by Kiki Mazzucchelli
Nigel Cooke, by Brian Dillon
Philippe Parreno, by Helen Sumpter
Thomas Hirschhorn, by Ciara Moloney
Betye Saar, by Jonathan Griffin
Julien Nguyen, by Dean Kissick
Erika Vogt, by Jennifer Li
Liz Deschenes, by Bill Clarke
Inside: artists and writers in Reading prison, by Fi Churchman
TOTAL PROOF: The GALA Committee 1995–1997, by David Everitt Howe
Slavs and Tatars, by Owen Duffy
Bruce Nauman, by Joshua Mack
K8 Hardy, by Andrew Berardini
32nd Bienal de São Paulo, by Stephanie Hessler
Kenji Yanobe, by Adeline Chia

Art Life
New York, by Sam Korman

Books
The Apparently Marginal Activities of Marcel Duchamp, by Elena Filipovic, reviewed by Brian Dillon
Social Medium: Artists Writing, 2000–2015, edited by Jennifer Liese, reviewed by Oliver Basciano
Becoming Past: History in Contemporary Art, by Jane Blocker, reviewed by Orit Gat
Dalí’s Moustache, by Boris Friedewald, reviewed by David Terrien

The Strip

A Curator Writes

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