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ArtReview December 2017

ArtReview December 2017

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What's inside the issue?

Art Previewed
Previews, by Martin Herbert
Under the Paving Stones: Chicago, by Sam Korman
Georgia Sagri, interview by Ross Simonini
Points of View, by J. J. Charlesworth, Maria Lind and Aimee Lin

Art Featured
Tomás Saraceno, by Mark Rappolt
Naufus Ramírez-Figueroa, by Linda Taylor
The Truth about ‘Cultural Appropriation’, by Kenan Malik
Power in Black and White, by Jonathan T.D. Neil
Carol Rhodes, by Mark Prince

Art Reviewed
Basquiat, by Richard Hylton
Lyon Biennale, by Louise Darblay
Power and other things: Indonesia & Art (1835–Now), by Sam Steverlynck
Marc Camille Chaimowicz, by Kristian Vistrup Madsen
Lara Schnitger, by Dominic van den Boogerd
Isabel Nolan, by Martin Herbert
Lucio Fontana, by Barbara Casavecchia
Scuole Romane, by Mike Watson
Fiona Banner and Peter Voss-Knude, by Aoife Rosenmeyer
Jodie Carey, by Laurie Macdonald
Torbjørn Rødland, by Daniel Culpan
Allora & Calzadilla, by Ben Eastham
Sheila Hicks, by Isabella Smith
Jack Whitten, by Gabriel Coxhead
Zach Blas, by Paul Clinton
David Alekhuogie, by Aaron Horst
Ad Minoliti, by Shana Nys Dambrot
Elaine Cameron-Weir, by Lindsay Preston Zappas
Black + Brown People | White Problems, by Emily Watlington
Aaron Flint Jamison, by Yuri Stone
Cajsa von Zeipel, by Jeppe Ugelvig
Pat Steir, by Rachel Wetzler
Frank Bowling, by Ashton Cooper
Alexander Tovborg, by Joshua Mack
Rachel Rose, by Cat Kron
Rodrigo Valenzuela, by Wendy Vogel

Dark Side of the Boom: The Excesses of the Art Market in the Twenty-first Century, by Georgina Adam, reviewed by J.J. Charlesworth
Now, by The Invisible Committee, reviewed by Mark Rappolt
Fred Forest’s Utopia, by Michael F. Leruth, reviewed by Robert Barry
Designed for Hi-Fi Living: The Vinyl LP in Midcentury America, by Janet Borgerson and Jonathan Schroeder, reviewed by David Terrien

The Strip

A Curator Writes

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