ArtReview December 2019

Art Previewed
Breakfast with… Saad Qureshi
Tall Tales: Art history’s ghosts, by Ben Street
Weighing Words: Criticism is cheap, by Elisabeth Lebovici and Patricia Falguières
Money Up Front: Ethical conflicts in Norway, by Juliet Jacques
Sounding O: The end of club culture, by Patrick Langley
The Interview: Dawn Kasper, by Ross Simonini
Coming Up: Ten shows to see this month, by Martin Herbert

Art Featured
Vivian Suter, by Oliver Basciano
Herbarium of Artificial Flowers – A Poppy Flower Selection Project, by Alberto Baraya
Cecilia Vicuña, by Lucy Mercer
Tim Walker, by Fi Churchman

Art Reviewed
The New MoMA, by Siona Wilson
Torbjørn Rødland, by Mike Watson
Kaari Upson, by Raimar Stange
Weight of Abundance, by Max L. Feldman
Marcel Broodthaers, by Martin Herbert
Mud Muses: A Rant about Technology, by John Quin
Göteborg International Biennial for Contemporary Art, by Hans Carlsson
Art Encounters Biennial 2019, by Rebecca O’Dwyer
Limp, by Rahel Aima
Jesús Rafael Soto, by David Trigg
The Coming World: Ecology as the New Politics 2030–2100, by Tom Jeffreys
Lucy McKenzie, by Matthew Turner
Christina Quarles, by Skye Sherwin
Anna Maria Maiolino, by Rosanna Mclaughlin
21st Contemporary Art Biennial_Videobrasil, by Oliver Basciano
Song Dong, by Valentina Bin
Lari Pittman, by Jonathan Gri´n
Tala Madani, by Cat Kron
Embodiment, by Rahel Aima
Kameelah Janan Rasheed, by Megan N. Liberty
Emissaries for Things Abandoned by Gods, by Gaby Cepeda

Books
The Topeka School, by Ben Lerner, reviewed by Ben Eastham
Art and Postcapitalism: Aesthetic Labour, Automation and Value Production, by Dave Beech, reviewed by J.J. Charlesworth
Grandma, I Want a Penis, by Dusadee Huntrakul, reviewed by Adeline Chia
In Print: a roundup of new releases, reviewed by Louise Darblay

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