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ArtReview February 2023 - Future Greats

ArtReview February 2023 - Future Greats

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ArtReview presents Future Greats - our guide to artists from around the world who are setting new agendas and framing new references for the future – artists we think you will want to know about in the years to come. Selected by an international panel of high-profile artworld figures, including curators, critics and fellow artists, these are individuals or collectives whose work, while perhaps not yet widely known, is likely to shape the interests and concerns of contemporary art over the coming year and beyond

What's inside the issue?

Art Observed
Olga Balema, interviewed by Ross Simonini
The Art of the Influencer, by Rosanna McLaughlin
Where Next for NFTs? by Charlotte Kent
Iran’s Blood Protests, by Shirin S. & Şahane B.

Art Featured

Future Greats

Renan Marcondes, selected by Ana Mazzei
Ava Woo Kaufman, selected by Buck Ellison
Mayank Austen Soofi, selected by Dayanita Singh
Hyogen no Genba Chosadan, selected by Koki Tanaka
Fabien Giraud & Raphaël Siboni, selected by Pierre Huyghe
Esteban Jefferson, selected by Martin Herbert
Sun Kuixing, selected by Lu Yang
Sofya Shpurova, selected by Aaron Angell
Mataio Austin Dean, selected by Larry Achiampong
Eimear Walshe, selected by Chris Fite-Wassilak
Tanis S’eiltin, selected by Wendy Red Star
Ingrid Hora, selected by Bani Abidi
Julieta Gil, selected by Casey Reas
Ana María López Gómez, selected by Shen Xin
Natasha Tontey, selected by Adeline Chia

Art Reviewed
Theaster Gates, by Cassie Packard
Kent Monkman, by Evan Moffitt
Boris Mikhailov, by Tai Mitsuji
Reinhard Mucha, by Martin Herbert
Ken Kiff, by Tom Morton
Ayo Akingbade, by Alexander Leissle
Singapore Biennale 2022, by Adeline Chia
Martine Syms, by Pierre d’Alancaisez
Rammellzee: Gothic Futurism, by Claudia Ross
Symbionts, by Rachel Tang
Caleb Hahne Quintana, by Jonathan T. D. Neil
Majd Abdel Hamid, by Digby Warde-Aldam
Strange Clay, by Eloise Hendy
Henry Taylor, by Terry R. Myers
Luz Lizarazo, by Oliver Basciano
Nashashibi/Skaer, by Susannah Thompson
DYOR­, by J. J. Charlesworth
THE 1970s_____, by Pádraic E. Moore
Nalini Malani, by Neha Kale
Caragh Thuring, by J.J. Charlesworth
When We See Us, by Matthew Blackman
Okayama Art Summit 2022, by Mark Rappolt

The Shards, by Bret Easton Ellis, reviewed by Mark Rappolt
The Gourmand’s Egg, reviewed by Fi Churchman
Climate: Our Right to Breathe, edited by Hiuwai Chu et al, reviewed by Adeline Chia
Spike Lee: Director’s Inspiration, reviewed by David Terrien
I Am An Artist (He Said), by Araya Rasdjarmrearnsook, reviewed by Max Crosbie-Jones
Florence Nightingale: Mortality and Health Diagrams, edited by RJ Andrews, reviewed by Chris Fite-Wassilak


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