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ArtReview May 2016

ArtReview May 2016

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What's inside the issue?

Art Previewed
Previews, by Martin Herbert
Points of View, by J.J. Charlesworth, Jonathan Grossmalerman, Maria Lind, Jonathan T.D. Neil, Sam Jacob
Girolamo Savonarola on intensity, interview by Matthew Collings

Art Featured
Wayne Thiebaud, by Ed Schad
A Moral, by John Berger
David Hammons, by Gabriel Coxhead
Anarcho-otherness in 1980s Latin America: Paz Errázuriz, Graciela Iturbide and Sergio Zevallos, by Oliver Basciano
On Activating the Politics of Art in an Age of Globalised Systems, by Guy Mannes-Abbott

Art Reviewed
Goshka Macuga, by John Quin
Jiří Černický, by Mark Rappolt
Jani Ruscica, by Stefanie Hessler
Lydia Gifford, by Louise Darblay
Karl Holmqvist, by Raimar Stange
Stephen Shore, by Mark Prince
Paul Geelen, by Dominic van den Boogerd
Jesse Jones, by Luke Clancy
Annina Matter & Urs Zahn, by Aoife Rosenmeyer
Bahar Yürükoğlu, Murat Akagündüz & S¸ener Özmen, by Sarah Jilani
John Latham, by Chris Fite-Wassilak
Michael Dean, by Laura Smith
Ariana Reines & Oscar Tuazon, by Brian Dillon
Becky Beasley, by Sean Ashton
Elizabeth Price, by Helen Sumpter
Rose Wylie, by David Trigg
Ali Prosch, by Andrew Berardini
Elaine Cameron-Weir, by Jonathan Griffin
Martine Syms, byDarius Sabbaghzadeh
Intimate Wine Reception, by Dean Kissick
Michael Genovese, by Larry Wilcox
Hilton Als, by David Everitt Howe Sarah Braman, by Brienne Walsh
Justin Berry, by Iona Whittaker
Anna Ostoya, by Wendy Vogel
Chantal Peñalosa, by Kimberlee Córdova
Henrique Oliveira, by Thais Gouveia
Michael Lin, by Aimee Lin
Liang Shuo, by Edward Sanderson

The Perpetual Guest, by Barry Schwabsky
Munch, by Steffen Kverneland
Strike Art, by Yates McKee
Last Futures, by Douglas Murphy

The Strip

A Curator Writes 

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