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ArtReview September 2016

ArtReview September 2016

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What's inside the issue?

Art Previewed

Previews, by Martin Herbert
Points of View, by Oliver Basciano, Jonathan T.D. Neil, Maria Lind, Jonathan Grossmalerman
Osiris, god of the dead, on the return of painting, interview by Matthew Collings
Jochen Volz, interview by Oliver Basciano

Art Featured

Barrão, by Oliver Basciano
Luiz Roque, by Kiki Mazzucchelli
Three Years On: The Artistic Legacy of Istanbul’s Gezi Park Protests, by Sarah Jilani
Protest, Not Profit, by Raimar Stange
Ignasi Aballí, by George Stolz
Bosco Sodi, by Mark Rappolt

Art Reviewed

9th Berlin Biennale: The Present in Drag, by Martin Herbert
Pure Fiction, by Violaine Boutet de Monvel
¿Cómo te voy a olvidar?, by Robert Barry
Painting 2.0: Expression in the Information Age, by Kimberly Bradley
Basim Magdy, by Louisa Elderton
Olga Balema, by Dominic van den Boogerd
Superstudio, by Mike Watson
Francesco Vezzoli, by Aoife Rosenmeyer
Kirill Glushchenko, by Helen Sumpter
Ian Cheng, by Karen Archey
Liverpool Biennial 2016, by Helen Sumpter
The Science of Imaginary Solutions, by Ben Street
Under the Same Sun: Art from Latin America Today, by Louise Darblay
Jim Hodges, by Sean Ashton Making & Unmaking, by Laura Smith
This Is A Voice, by Fi Churchman
Paul Lee, by Larry Wilcox
Neïl Beloufa, by Andrew Berardini
Benjamin Carlson, by Jonathan Griffin
Michael Rakowitz, by Arielle Bier
Ed Ruscha, by Jonathan T.D. Neil
Radcliffe Bailey, by Brienne Walsh
Christopher K. Ho, by Owen Duffy
Evan Robarts, by Ysabelle Cheung
Nasreen Mohamedi, by Joshua Mack
Chelsea Culprit, by Kim Córdova
Arquivo Ex Machina, by Claire Rigby


The Hatred of Poetry, by Ben Lerner
Towards a Conceptual Militancy, by Mike Watson
Raymond Chandler: The Detections of Totality, by Fredric Jameson
Qiu Zhijie: Unicorns in a Blueprint, edited by Defne Ayas



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