ArtReview January & February 2022

Art Previewed
The Interview: E’wao Kagoshima by Ross Simonini
M+ Opens by Aaina Bhargava
Soft Power Station by Oliver Basciano
Tiger Balm by Adeline Chia
CIRCA:Josef O’Connor. Interviewed by Mark Rappolt

Art Featured
Noémie Goudal by Mark Rappolt
Dafna Maimon by Chris Fite-Wassilak
The Critic at the End of the World by Rosanna McLaughlin
Enter the ‘Mutaverse’ by Fiona Glen

Art Reviewed
Christian Marclay, by Thu-Huong Ha
A Year in Art: Australia 1992 and Jonathan Jones, by Jane Ure-Smith
Chiara Fumai, by Pádraic E. Moore
Post-Capital, by J.J. Charlesworth
Louise Lawler, by Martin Herbert
Cynthia Talmadge, by Owen Duffy
ERRATA, by Max Crosbie-Jones
Martin Margiela, by Clara Young
Isabel Nolan, by Frank Wasser
After the Storm: Five artists from the Philippines, by Adeline Chia
Sin Wai Kin, by Aaina Bhargava
Gillian Wearing, by Ela Bittencourt
Toon Verhoef, by Emily McDermott
Peeping Tom, by Emily May
Biennale de l’Image en Mouvement 2021, by Rebecca O’Dwyer
Prospect.5, by Evan Moffitt
Noah Davis, by Rachel Willcocks
Sharon Eyal & Gai Behar, by Emily May

Books
How to Be a Revolutionary: A Novel, by C.A. Davids, reviewed by Mark Rappolt
Portrait in Four Movements, by Chloe Aridjis, reviewed by Louise Darblay
Self-Portrait, by Carla Lonzi, reviewed by Chris Fite-Wassilak
Hello Future, by Farah Al Qasimi, reviewed by Fi Churchman
The Nutmeg’s Curse: Parables for a Planet in Crisis, by Amitav Ghosh, reviewed by Deepa Bhasthi
Marcel Duchamp, by Robert Lebel, reviewed by J.J. Charlesworth
The Dawn of Everything: A New History of Humanity, by David Graeber & David Wengrow, reviewed by Sarah Jilani

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