ArtReview January & February 2020

Art Previewed
Breakfast with… Paloma Bosque
The Nature of Fashion, by Clara Young
Estonia’s Shifting Art Scenes, by Oliver Lowenstein
Sounding Off, by Patrick Langley
Turner Prize Solidarity, by J.J. Charlesworth
The Art of Documentary, by Erika Balsom
The Interview: Puppies Puppies, by Ross Simonini
Coming Up: Ten shows to see this month, by Martin Herbert

Art Featured
Thu Van Tran, Interview by Mark Rappolt
Acts of Registration: Ngurrara, by Adrian Lahoud
Lari Pittman, by Patrick J. Reed
Gedichte (1966–), by VALIE EXPORT
Karrabing Film Collective, by Ben Eastham

Exhibition
Nan Goldin, by J.J. Charlesworth
Part 1: Matrescence, by Skye Sherwin
Zadie Xa, by Daisy Lafarge
Elizabeth Price, by Rachel Hughes
Foncteur d’oubli, by Rodney LaTourelle
Stephen G. Rhodes, by Rebecca O’Dwyer
Time Is Thirsty, by Emily McDermott
a.O. – b.c.: An Audiovisual Diary, by Max L. Feldman
Julia Wachtel, by Moritz Scheper
Rosemarie Castoro, by Martin Herbert
Katya Shadkovska, by Phoebe Blatton
Patrizio Di Massimo, by Barbara Casavecchia
Daniel Pitín, by John Quin
Dalton Paula, by Oliver Basciano
Biennale de Rabat, by Louise Darblay
Jean Curran, by Jonathan T.D. Neil
Alice Tippit, by Jonathan Griffin
Hadi Fallahpisheh, by Sam Korman
April Dawn Alison, by Fanny Singer
Chips and Egg, by Gwen Burlington
Alexa Karolinski & Ingo Niermann, by Nina Power

Books
Natalia Ginzburg, by Mark Rappolt
Krazy Kat, by George Herriman, reviewed by Ben Eastham
The Codpiece in Art, by Michael Glover, reviewed by Mark Rappolt
In Print: a roundup of new releases, reviewed by Fi Churchman

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